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The Ringer

The author of this book is an ND grad, which often motivates me to purchase, although not as often as I expected. I love the page in ND Magazine where they list the new published works by ND authors. I went through my book list and noted that I’ve only read three books by ND grads.

Damn. Feels like more than that. Oh well.

This is a drama of sorts and the first book by Jenny Shank. It’s a story told from the perspective of two people, one a single mother who’s estranged husband was shot dead in a botched drug raid, and the other the cop who killed him. They come together in the city of Denver through the sport of baseball, in which both of their sons are actively involved. Shank pretty much alternates chapters between the two perspectives and edges closer to the inevitable meeting between the two.

I liked the story and it kept me interested. The Denver angle was cool because it’s a town I love and one that I’m somewhat familiar with (relatives live there). The sports (baseball) angle was cool because I’m a sports junkie. This book had a lot of stuff going for it.

I want to read more and I’d like to see a follow-up to this. The perspectives of the two main characters were running parallel throughout the book so I thought they would be treated equally at the end, but it was weighted towards one. Makes me think she’s keeping these characters around for another book. Good ending though, it was surprising and creative.

I will keep her name in mind and when her next book comes out I’ll certainly grab it.

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Athabasca

This is turning out to be the year of the re-reads, mostly because of that fateful trip to The Brown Elephant a few months ago. This is another book I recall finishing years ago and saying, “meh.” Actually, I didn’t say that exact word because it hadn’t been invented yet. But I’m sure you get the picture. You probably also think I’m cool because of my occasional exploration of The Urban Dictionary. Thanks.

I spent my youth wanting to like Alistair MacLean novels. Many of his books were made into movies my brother and I loved, like Bear Island and Force 10 from Navarone, so I figured the books would be just as great. But as a youngster, I struggled through Athabasca, Goodbye California, and Seawitch before eventually giving up. After awhile, I settled into Robert Ludlum as my favorite thriller writer and compared every book to Ludlum’s, jarring, macho, fast-paced stories.

Upon the second reading, I’m mildly surprised at how much I liked Athabasca. It started out rather slow but picked up markedly in the second half, and the last few chapters flew at a breakneck pace. The characters were not very deep, but the good people were likable and the bad guys were cruel.

It’s as much a mystery/crime novel as a thriller I think. It nicely builds in aspects of both for a fine reading experience. It has a classic investigation by a group of outsiders and builds up to a big unveiling of the guilty parties. But it also has some tight action scenes, including a near death experience and a tower assault.

I like the idea of Alistair MacLean. His writing spans a long period of time and there seems to be a lot of variability in his subject matter. I think I’ll grab one of his war novels next, like Where Eagles Dare or Guns of Navarone.

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Maximum Bob

I said the other day while watching Killshot that I was inspired to read some Elmore Leonard, so here we are. Actually, it could be the other way around, or not. It doesn’t matter which inspired which, they were both good.

I’m starting to get a feel for the Elmore Leonard formula after only a few short instances. One thing that he often seems to have is a strong yet vulnerable heroine. In this book, Kathy Diaz Baker is a tough parole officer with two really rough parolees, both of whom were sent away by a crooked judge nicknamed Maximum Bob. It turns into a twisted circle because the judge wants to sleep with non-receptive Kathy, and one of Kathy’s parolees wants to kill the judge. All sorts of shenanigans ensue.

During the shenanigans, Kathy falls for a local detective and it evolves into a tasteful little affair (this is the vulnerable part of Kathy). Kathy character reminds me a little of Jennifer Lopez’s character in Out of Sight, another great Elmore Leonard book and movie. Man I loved that movie. I’m going to watch that again soon.

It all takes place in Palm Beach county Florida. In certain ways, even besides the South Florida angle, it’s a little like a Carl Hiaasen novel, but a little darker and not as much hilarity. I like both.

** PLOT KILLERS FOLLOW **

The relationship that Kathy has with the cop comes to an abrupt halt when one of her parolees kills him. It was an emotional part of the book and the way Leonard drew out the drama by interspersing two scenes during the killing was masterful. I was engrossed, mad, sad, you name it.

Superb story. I’ll be reading more Leonard in the coming years, and maybe grabbing a few of the movies on Netflix.

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A Game of Thrones

Historically, around one out of every twenty books I read are sci-fi/fantasy/horror books. Last year was kind of an anomaly because I read three (out if thirty). I read Dune, followed it up with some teen lit, and finished with a less than stellar vampire novel. I want more books like Dune. It’s such a great book, but then to finish the year with that disappointing horror/vampire thing left me empty.

I was ready to give up on the genre, actually. Then this Game of Thrones thing comes along. I mentioned a few weeks ago how I stumbled on the TV version. After seeing that, my first thought was, “I gotta read the book.” Eventually, I’ll watch the show, but that could be years down the road.

It’s a long, meandering epic set in a mystical, medieval-style world with kings and queens and wars and politics. It’s 800 pages long and this is only book one of five in the series. It’s kind of like Lord of the Rings meets Pillars of the Earth meets 48 Laws of Power. Yeah, that may be an apt description.

It’s about people, probably a dozen of them. Each chapter is titled with a person’s name and it bounces from one to the other in about equal proportions. They are all related in some way to protecting or pursuing the king of the land, who sits on an iron throne made from swords. The land is called Westeros and it’s a place where summers last decades and winters just as long. The novel is set at a time when the summer is ending and people are readying for a long, long, long winter.

Westeros is a piece of land bordered by a cross-able body of water on the east and a massive, 700 foot wall on the north. Besides internal strife among the seven families who run Westeros, there is a looming threat east of the water and north of the wall. East, across the water, there are fearsome warriors and deposed inheritors of the crown. North of the wall are mysterious, supernatural beasts. The people of Westeros acknowledge these threats, but they hate each other so much that they concentrate more on fighting each other rather than protecting themselves from outside threats.

I mention supernatural beasts, but this book is mostly devoid of much magic, mysticism, and fantasy. It, oddly enough, only speaks of these beasts in dreams and stories. It’s mostly humans fighting with words, wit, and swords. However, based on the ending, it’s clear that the next book will leave this familiar, medieval setting and incorporate supernatural creatures.

I’m not sure how I feel about that. I’ll have to sort through that before I buy the next book. I can’t go all-in with imaginary characters and the magic. Dune was really well done in terms of incorporating imaginary things. Can anyone suggest something comparable? Dune, for me, didn’t get bad until after the guy turned into a worm (that was maybe book four). I don’t know, it was just so out there that it didn’t work for me. But, in general, I haven’t completely bought into the fantasy genre.

Regardless, I thought it was well done. I’ll let it rest a few months before I decide if I press on.

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The Green Ripper

This was the second reread of 2011 and I have a feeling that I’ll do a few more. I made a visit to the Brown Elephant in Oak Park and walked out with this paperback along with ones by Alistair Maclean (Athabasca) and Len Deighton (SS-GB). These are books that I only marginally enjoyed as a kid, but my tastes have changed considerably since then and I’m expecting to get a little more enjoyment out of them this time around now that I’m all growed up.

I’m off to a great start because the The Green Ripper was a heckuva lot better than I remember.

* PLOT KILLERS FOLLOW *

The most distinct memory I have of this book was this feeling: There’s a gun and dead body on the front cover, but the only action is a gunfight that takes place in the second-to-last chapter.

That encapsulates what a little idiot I was. What was I expecting? Did I just want a 300 page shootout? What I got was a short but intense shootout at the end that took place over about a chapter (of a total of 15 chapters). I vividly recall McGee referring to the day of carnage and revenge as his “John Wayne day.” As a kid, I loved John Wayne movies so that made the book worthwhile back then.

This time, I didn’t struggle through the buildup like I did as a kid. I relished MacDonald’s McGee, who is a classic, hardcore, private investigator living on a houseboat called The Busted Flush in South Florida. McGee’s cohort is his buddy and resident genius Meyer, who hangs around to talk sense into McGee and occasionally provide some comic relief. This is the kind of classic crime novel that I love and I’ll be reading all of the Travis McGee novels. However, I don’t know if I’ll be reading them order. I’ve read a few and I don’t seem to recall it being that important to read them in order. I’ll have to do a little research on that.

Finally, as I do with many of the crime novels, I like to pick out a thought or a rant by the main character that embodies their take on the world. Here are McGee’s thoughts on a middle-aged guy (Herm) whom McGee thought died from over exherting himself:

… In the meanwhile, poor Herm had succumbed to the age of the jock. The mystique of pushing yourself past your limits. The age of shin splints, sprung knees, and new hernias. An office-softened body in its middle years needs a long, long time to come around. Until a man can walk seven miles in two hours without blowing like a porpoise, without sweating gallons, without bumping his heart past 120, it is asinine to start jogging. Except for a few dreadful lapses which have not really gone on too long, I have stayed in shape all my life. Being in shape means knowing your body, how it feels, how it responds to this and to that, and when to stop. You develop a sixth sense about when to stop. It is not mysticism. It is brute labor, boring and demanding. Violent exercise is for children and knowledgeable jocks. Not for insurance adjustors and sales managers. They do not need to be in the shape they want to be, and could not sustain it if they could get there. Walking briskly no less than six hours a week will do it for them. The McGee System for earnest office people. I can push myself considerably further because I sense when I’m getting too close to the place where something is going to pop, rip, or split.

Ah, the soliloquy of the crime noire hero. It’s a thing of beauty. I’m glad to welcome back Travis McGee after about 30 years. I’m looking forward to more.

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The Name is Archer

I consume a fair amount of crime novels, but I’ve never read any Ross Macdonald. I happened in to this book because I was at a friend’s house and he just handed it to me. I started it within a few days, which I rarely do, but I was between works of fiction and didn’t feel like working down my backlog, so I launched into it.

This book is gritty, hardboiled detective fiction in short story format, published in 1955. It’s a great introduction to Ross Macdonald and his main character Lew Archer, a California private detective.

To give you an idea, in the story Gone Girl, Archer walks into a bar to inquire about the whereabouts of a woman. He’s greeted by a piano-playing barman who talks in rhymes. Unsurprisingly, Archer replies with a rhyme of his own:

Where did she lam, Sam, or don’t you give a damn?

That’s what I’m talking about, quirky, strange, with pretty spare prose, but great stories. So great in fact, that I’m going to read all of the Lew Archer novels in order starting with The Moving Target, which MacDonald wrote in 1949. It was also made into a movie with Paul Newman, entitled Harper. I just purchased the book on the Kindle (pleasantly surprised that Vintage has these in digital format).

I’ve rooted around a little and it appears that Sue Grafton was highly influenced by Ross Macdonald. That, my friends, is some serious validation for Macdonald because Grafton is one of my favorite writers (not that Macdonald needs any validation, but from my perspective…). I’ll have more about this link to Grafton after I’ve read The Moving Target.

I liked all the stories in The Name is Archer. They are dark and violent and mostly have surprise endings. There is also plenty of dry humor, like this passage from the story entitled The Suicide:

On the way to the diner, she caught the eye of every man on the train who wasn’t asleep. Even some of the sleeping ones stirred, as if her passing had induced a dream. I censored my personal dream. She was too young for me, too innocent. I told myself that my interest was strictly paternal.

I’m going to like this stuff a lot. I can tell.

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Up Periscope

This book is a throwback to my younger days. I read it maybe as a 6th grader, I think. I seem to remember living on Windsor place and talking about it with a childhood friend. I read it then, and this time, specifically because I loved Deathwatch by the same author.

It’s a war story about a Navy diver who must steal some Japanese secret codes from an island in the Pacific during WWII. A submarine named the Shark is responsible for getting him to the island and back to Pearl Harbor. Most of the action takes place on the submarine except for a few chapters on the island. This book actually held it’s own after 30 plus years better than Deathwatch did. It’s a good story that was also made into a movie.

There is one scene that has stuck in my head for those 30 years I’ve been away from this book. It occurs near the end after the Shark successfully sinks a Japanese aircraft carrier and then has to try and outsmart a bunch of Japanese destroyers seeking revenge. The Shark is forced to stay under water at an unhealthy depth for an extended period of time while being attacked from above. White’s description of how difficult it is to be without fresh air for such a long time has always stayed with me. Here are some samples:

On the deck itself was an inch-deep slime of oil and sweat and vomit and water, a filthy, greasy, nasty-smelling gunk through which he had to wade.

A little later:

By midnight the air in the boat was so foul that each light seemed to be shining in a grayish fog. Breathing was hard, each man gasping rapidly. Faces were becoming faintly blue. No one smoked for there wasn’t enough oxygen in the air to sustain a flame.

I was really struck by this as a kid, for some reason. I’ve always wanted to see the movie to see how they portrayed this part of the story. It’s on iTunes so maybe I’ll grab it someday.

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Our Kind of Traitor

I mentioned last year how I was inspired by The Company of Strangers to read more spy novels. Well, here I am, reading some John le Carre, the rock star spy novel writer. It was about thirty years ago when I picked up either Tinker, Tailor, Soldier, Spy or Little Drummer Girl (can’t recall exactly), and tossed it after a couple of days because it was too slow. Those were the Ludlum years for me and I needed more killing and car chases than le Carre usually provided. Oh, how old age changes us. Now I’m becoming a big fan of the spy novel.

This book is the story of two innocent Brits, a Russian mobster, and a few roguishly likable members of British Intelligence. The innocents are tossed into the spy game when the Russian mobster requests their assistance for defecting after a chance meeting while vacationing in Antigua. The innocents turn to British Intelligence for help and get hooked up with handlers who work for a “special projects” division.

A fairly sized portion of the story is recalled in a light interrogation of the two innocent Brits by British Intel. It dominates maybe the first third of the book and takes place in the basement of a nondescript house which doubles as the office for this special projects division. It’s mostly told through the perspective of the female innocent Gail, the deepest character in the book. I think that may be a hallmark of le Carre, strong and thoughtful female characters, judging from a few of the movies I’ve seen. Now that I think of it, this is the only le Carre book I’ve ever finished. Anyway, this retrospective format is at times confusing to follow, but it’s a great format for getting to know Gail.

** PLOT KILLERS **

After this, there is a big chunk of back story on the crew from British Intelligence, mostly told through the eyes of the number two guy, Luke. It dominates big chunks of the second third of the book (this could be a three act play). Luke is flawed with hints of a dark side, but in the end was the consummate professional. This section was deliberate and mysterious. That’s a spy novel and that’s le Carre. I can see how I got frustrated as a youngster. There is a lot of personal back story type of stuff that thriller writers leave out. Spy novelists seem a little more spare on the crackling dialogue and action sequences. I knew this going in and liked it.

Things get intense in the last third when the civilians get to Paris (with British Intelligence nearby) for the meet-up with the Russian mobster and potential defection of his entire extended family. The reader needs the first two thirds of the book to understand what is going on in the minds of the characters. That’s why the last third, the real time action sequence, so to speak, is so good. There aren’t gunfights, chases, and brawls, but there is a very detailed caper and suspenseful aftermath. And you get to feel it through the minds of a large number of the characters. Great ride.

The ending really rocked me. Not necessarily in a good way, but not in a bad way either. It was abrupt. Probably as abrupt as any I’ve experienced in my history of reading fiction. It effectively resolved nothing, nada, zero. I’m not saying it was bad, I’m saying it didn’t put everything in a nice package with a bow and hand it to you – in fact, it didn’t even get to the point of buying wrapping paper and some ribbon. But I accept the ending. I’m comfortable ruminating on what could have happened rather than knowing exactly what did happen.

Bring on some more le Carre.

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The Strain

I’m feeling like I need a little horror to round out the year. I usually group horror with sci-fi and fantasy and consider it the same genre. I’ve done sci-fi already this year and in most circumstances that would give me enough of a fix to cover the whole genre, but this has been a different year. Different mostly because this whole Girl With the Dragon Tattoo thing has raised the bar for surreal action and excitement.

Sure, I’m looking forward to reading standby fiction authors like Sue Grafton and James Lee Burke, and I know I’ll have a great time doing so, but I just felt the need for something different and a little more mindless. This is due partly to the fact that I’m reading six books right now, five of which are non-fiction or instructional/self-help. It’s just not pretty and I’m angry that I got myself into this situation. I found myself not wanting to read because I didn’t know which book to pick up. Really stupid. In the end, I gravitated to this book because it was the simplest, resulting in me only finishing one book in December.

It wasn’t a bad book, but I’m not sure if I’ll read the whole trilogy. It’s a vampire book, pure and simple. I’ve never read a vampire book but I loved the movie I Am Legend (which inspired me to read Richard Matheson’s 7 Steps to Midnight), so I keep trying to find some cool horror books. But they just leave me with an empty feeling. Maybe horror is just a genre that works better on the screen rather than in a book.

** PLOT KILLERS FOLLOW **

Regardless, if I do read the next one, I’ll have to remember this:

  • Ephraim, Nora, Fet, Zack, and Setrakian are in Kelly’s house recovering from the big battle with the Master (who got away, despite being exposed to the sun).
  • Kelly (Ephraim’s ex and Zack’s mother) is a vampire and will reappear based on my keen analysis of some foreshadowing.
  • New York City is overrun with the plague.
  • A group of vampires (called The Clan, based in Pennsylvania) appears to be poised to fight back against the Master’s incursion in New York. It appears they have recruited Gus Elizalde to aid them somehow.
  • I can’t remember what happened to the rich dude who brought the Master to New York. Oh well, I don’t think it matters.

All in all, not that great really. But I can see myself reading the next one if I’m looking for some horror later in 2011. But it’s also just as likely that I forget all about this.

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The Emperor of Ocean Park

Stephen Carter has been on my radar ever since I read a review of New England White a few years ago; it sat on my Amazon wish list for a while mostly as a placeholder for Carter. So a few weeks ago I was looking for some new fiction (to me at least) and I decided on The Emperor of Ocean Park rather than New England White. You know me, I’ll choose the route of reading an author in chronological order if given the choice (The Emperor of Ocean Park is Carter’s first book).

It’s a mystery/thriller with a running commentary on race, class, and politics. The main character is Talcott Garland, a black law professor at a fictional northeastern university who is trying to understand the circumstances of his father’s death. His father was a famous conservative judge who was disgraced years ago during confirmation hearings for Reagan’s supreme court and finished out his life as a legal consultant of sorts. Garland is insecure but I found him highly likable. His internal struggles with black and white, liberal and conservative, and rich and poor make things interesting and add a lot of character depth. Throw in some wife problems and some work problems and you have a very complicated guy. You also have plenty of opportunity for some family carnage, which I love.

And I haven’t mentioned anything of the mystery, a great common man forced to become a detective style of thriller. This thriller came along at the right time. I was feeling a little down because I wasn’t sure if I could match the thrill-level that I experienced this year during TGWTDT (it has polluted me temporarily I think). But Carter tossed a story at me that I couldn’t put down; one that I read during family get-togethers instead of talking with other humans; one that I read every night for a few weeks without the threat of falling asleep. It always feels good to have another author that I’m damn sure I’ll like every word he puts on paper.

Carter only has four works of fiction. He released this in 2002, then took a break from fiction for five years. Since then he has released one book a year for the three years from 2007 to 2009. I’ll get to these. Here is the question: Since I know I’m going to read them, should I just buy them and put them in my library? No, probably not. That backlog is too much pressure, I’d rather be JIT. I really loved it, but I feel like I need to space them out because what if he stops at four?

I loved how he hid the plot points from me to build up the excitement without leaving me frustrated. Then he delivered the reveal with a deadpan style that I haven’t felt in other thrillers. His style is deliberate and he fills space with a fair amount of meandering diatribes (redundant?) on life, so it may feel slow to some, but not to me. Here’s an example of a meandering diatribe, check this out:

THE FOLLOWING TUESDAY, twelve days after the death of my father, I return to my dreary classroom, populated, it often seems, by undereducated but deeply committed Phi Beta Kappa ideologues—leftists who believe in class warfare but have never opened Das Kapital and certainly have never perused Werner Sombart, hard-line capitalists who accept the inerrancy of the invisible hand but have never studied Adam Smith, third-generation feminists who know that sex roles are a trap but have never read Betty Friedan, social Darwinists who propose leaving the poor to sink or swim but have never heard of Herbert Spencer or William Sumner’s essay on The Challenge of Facts, black separatists who mutter bleakly about institutional racism but are unaware of the work of Carmichael and Hamilton, who invented the term—all of them our students, all of them hopelessly young and hopelessly smart and thus hopelessly sure they alone are right, and nearly all of whom, whatever their espoused differences, will soon be espoused to huge corporate law firms, massive profit factories where they will bill clients at ridiculous rates for two thousand hours of work every year, quickly earning twice as much money as the best of their teachers, and at half the age, sacrificing all on the altar of career, moving relentlessly upward, as ideology and family life collapse equally around them, and at last arriving, a decade or two later, cynical and bitter, at their cherished career goals, partnerships, professorships, judgeships, whatever kind of ships they dream of sailing, and then looking around at the angry, empty waters and realizing that they have arrived with nothing, absolutely nothing, and wondering what to do with the rest of their wretched lives. (Kindle loc. 2,095)

That, my friends, is all one sentence. Below is another passage I want to remember:

… I have long been comfortable living without perfect knowledge. Semiotics has taught me to live with ambiguity in my work; Kimmer has taught me to live with ambiguity in my home; and Morris Young is teaching me to live with ambiguity in my faith. That truth, even moral truth, exists I have no doubt, for I am no relativist; but we weak, fallen humans will never perceive it except imperfectly, a faintly glowing presence toward which we creep through the mists of reason, tradition, and faith. So much to know, so little time. (Kindle loc. 13,242)

These are the musings of the main character during his quest for answers surrounding his father’s death. All this fits in nicely with the mystery at hand and really sucked me in. What a great year of reading it has been, and still a few books to go. Back to some nonfiction for now.