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Tinker, Tailor, Soldier, Spy

I got about one third through this book and had to get plot assistance. This is happening with an uncomfortable frequency lately. Author John le Carre knocked me for a wallop here and I blame myself.

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A Dance with Dragons

This is book five of the whole Game of Thrones thing (actually, I should say “the Song of Ice and Fire” thing, for the purists). I had to keep reminding myself that this book has the same time frame as book four. The space-time continuum was hard to keep track of at times because the same stories from book four are viewed through the eyes of the other half of the characters.

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London Match

If you like Cold War British spy thrillers with some romance and character study mixed in, Deighton could be your most reliable option. He doesn’t publish any more, but you should seek him out. I’m always trolling used book stores for his stuff.

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The Sisters Brothers

This is a western novel, timeframe 1851. Narrator Eli Sisters and his big brother Charlie are hired killers for a guy named the Commodore. The Commodore kind of pisses off Eli a little because he assigns Charlie as the leader of their two man assassination team. Charlie is kind of an ass, but Eli loves him. Eli has a horse named Tub, which he’s not to fond of, but he accepts the beast willingly. Early in the book Eli had to have two teeth pulled and now he brushes his teeth every day. His life isn’t bad, but it’s certainly not that great.

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A Drive Into the Gap

A friend told me once, “I like to keep my money in my ’hood.” He was referencing his propensity to focus his dining-out experiences in about a mile radius of his house. This struck me as a pretty cool idea so I’ve started adopting it, even for non-food items.

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Not A Penny More, Not A Penny Less

Gail has been telling me great things about this Jeffrey Archer book for years. She read it as a kid. When iBooks first came out they had it on sale for $2.99, so I bought it. This was like a year ago and I finally got around to reading it. In fact, I think this is the first book I’ve read on the iPhone, even on the Kindle app for iPhone. It was quite exciting and I enjoyed the experience immensely.

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books

Father’s Day

Previous to this I’d read two books by Buzz Bissinger, Friday Night Lights and Three Nights in August, two of the finest sports books ever. A little over a year ago I started following Bissinger on Twitter (@buzzbissinger) and I discovered that he had a much wider bandwidth than sports, which led me to this book, Father’s Day, one of his non-sports endeavors. It chronicles a cross-country road trip (Philly to LA) he took with his 24-year-old son Zach in 2007, who has brain damage from complications at birth. It was emotional stuff. I was moved from the get-go and it didn’t let up.

Because I follow Bissinger pretty closely, I feel like I know him. I don’t know him really, not like I know a friend, but I have at least a peek below the surface, so I’m familiar with his life in more than just a casual way. The first writer I remember following religiously as a kid was a Detroit-based sportswriter named Joe Falls, but I didn’t really know him. I didn’t care, plus there was no internet, so it was harder. In a similar vein though, I would look forward to what Falls had to say about the sports news of the day via his columns in The Sporting News and the Detroit News.

But wow, talk about getting to know someone, this book is a deep dive into Bissinger’s character. I still don’t know him, of course, but for me, this level of detail enriches every thing he writes and says. I trust him as a source of insight and analysis now more than ever. He’s a great American writer, make no mistake about it, so pay attention; don’t turn away, regardless of how profane or sordid it gets, or you’re going to miss important stuff.

He doesn’t sugarcoat anything; not in this book, not in any book, not in his columns, not on Twitter. Ever.

Why sugarcoat it? My son is mentally retarded. (Kindle loc 157)

Bissinger’s exploration of his relationship with Zach during the road trip is the core of this book. He’s in a unique place to sort through the emotions of having a child like Zach. First of all, Zach has a twin brother Gerry who was born without brain damage, giving Bissinger ample points of comparison. Secondly, Bissinger speaks his mind to a fault, apparently feeling no compunction to hold back regardless of what kind of light it shines on him. This combination of material, perception, and honesty leads to an amazing amount of insight into a beautiful relationship. Here’s what I’m talking about. It’s a moment when they’re in Milwaukee struggling to find a Kopp’s that Zach wants to eat at:

I call directory assistance to at least figure out the spelling and get an address. The silence separates. I am increasingly finding the entire trip pointless, a vain exercise in molding Zach into something he cannot be, fantasizing that the open road would lead to a greater sense of togetherness and understanding, that in our intimate privacy I would be able to bore into his soul and pull out a string of sparkles. I want a different son at this moment. I deserve a different son. I glance over at Zach and fill up with familiar self-hatred. I realize the cop was right: I do have an impairment, an emotional impairment, the anger of what happened, the helplessness, the forever haunt of watching my newborn son through a hospital window bloody and breakable. (Kindle Loc. 1842)

At times it’s gut-wrenching, painful, but it has to be this way so the reader can understand what a wonderful kid Zach is, and to understand what he can teach us about ourselves and others. I loved this next moment, often highlighted by Kindle readers, where Bissinger reflects on “liberating” his son from a menial job by finding him something in the mail room of a prestigious Philly law firm:

It wasn’t Zach’s liberation. It was mine alone, since Zach made no distinction about people as long as they were decent to him. He had no concept of status so he did not care about it. I had never ever heard him speak with malice or jealousy of anyone, which had to do with his always seeing the world in the literal and concrete without the spin of his own agenda. Which does raise the question of why it takes brain damage to be kind and honest and true instead of insecure and behind-the-back vindictive as so many of us are. Why is abstract thought so inherently vicious, too often interpreting events so they tout ourselves and condemn others? (Kindle loc. 802)

There’s more about Zach as they travel through Chicago, Milwaukee, St. Louis, Odessa, Las Vegas, and Los Angeles, but it has deviations along the way. At times it feels like a travel book, documenting quirky and interesting things about America. It has aspects of a call-for-action for better care of the mentally disabled. It could also be a handbook for parents of kids like Zach as they wrestle with important life choices regarding their children.

For me, I loved the stuff about the writing life – Bissinger’s writing life. Here’s how he felt passing the house he lived in while writing Friday Night Lights in Odessa, Texas:

It was in the house on Frederick where I wrote Friday Night Lights in 1989 and 1990 in a tiny second-floor study with a computer on one side and a corkboard filled with index cards on the other. No Internet. No smartphone. No Google. No distractions except those inside my own mind. Every day I put on headphones and juiced up the music of Bon Jovi and Tears for Fears and the Alan Parsons Project to stimulate and write with the head-spinning frenzy of Schroeder. It was about the work then, not the commercial prospects and the book tour. It was the most creative joy I ever felt, the only sustained time I woke up not with the dread of writing but with the exhilaration of it. Zach’s whisper of farewell is also mine. (Kindle loc. 1911)

That makes me want to read Friday Night Lights again. Bissinger spends a fair amount of time in Odessa and he’s written a separate follow-up to the book. I haven’t read the follow-up yet, but the parts in Father’s Day about Boobie Miles and the Chavez family have me anticipating it. Friday Night Lights is both the greatest football book ever and the greatest football movie ever. If you haven’t seen them and you say you like football, you’re a phony. The book tears at Bissinger though, it rips him apart:

I knew when it was published I would never top it no matter how hard I tried, and after almost twenty years, I still have not topped it. It all happened when I was thirty-five. The success opened all sorts of avenues, but it also hung over me. It was a wonderful thing to be known for something that had lasted for so long. It was a terrible thing to be known for something that had happened so long ago. It sounds like self-pity, but it wasn’t self-pity. It was the fear of being tapped out and topped out, the rest of my life a vain search. (Kindle loc. 2507)

But it’s not all dark and brooding. Bissinger can see the bright side and it carries extra weight with me when he articulates how kind and caring people can be, because you know it’s real. He marvels at how fairly and normally everyone in Odessa treats Zach.

And it strikes me as far more than ironic that it is here in Odessa, where so many people hated me and I hated certain aspects of the town with equal ferocity, that every single person we encounter treats Zach the way he should always be treated, which is just like everyone else. (Kindle loc. 2507)

The last stop in Los Angeles finds Bissinger in Hollywood, meeting up with Zach’s twin Gerry, visiting with Peter Berg (Bissinger’s cousin), and hanging out on the set of Hancock, among other things. The wrap-up is especially emotional.

This book is for anyone with a soul. I loved it.

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A Feast for Crows

I’m not sure what George R. R. Martin was thinking during this, the fourth book in the series. Well, check that, he explains himself at the end. Basically, this thing is getting so huge and unruly that he had to break the beast up into separate books. Which means we haven’t heard a thing from some pivotal characters in 1000 pages.

Let me make sure I understand this: The whole other half of the story was happening in parallel, at the same time, and we’ll get that half in the next book. Do I have that right?

I found myself bored and confused for the whole time. Yet, yet, I’m still fired up about the next book and I’ll start it soon. This may not make sense, but I have too much invested to stop now. As mentioned during the book three post, there is some magic to a trilogy and we’re beyond that point, so we’re treading on thin ice. I don’t want this to be a repeat of the Dune series, which I eventually shut off in the middle of book five if I recall correctly.

Besides holding off on one half of the story, Martin also deviated from the first three books by loosening his method of naming each chapter after a defined set of main characters, resulting in new perspectives from characters we haven’t heard from before. This threw me a bit of a curve ball. At a certain point I just tuned out a lot of the detail. I’m kind of concerned that my confusion may be starting to ruin the story for me.

If I recall, I shut off Dune because it deviated too much in both style and content from the first book of the original trilogy, which I loved. Martin hasn’t deviated to that extent, not even close in my mind. But I’m much more patient now so maybe some day I’ll re-read the rest of the Dune series. I’m no stranger to falling in love today with books I didn’t like decades ago.

Martin has been especially artful in easing into the magical/supernatural side of things. I like my fantasy/sci-fi to be light on the magic and Martin has a near-perfect mix. In the end, the story is too awesome and the characters too interesting to deaden my interest and anticipation. I’m on to the next one soon.

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Eats, Shoots & Leaves

I’m trying to improve my writing. Really, I am. It’s fun and I want to get better at it. Contrast this to my feelings about golf, something else that’s a lot of fun, which I don’t feel a compunction to improve. I just love to play; I don’t practice and I don’t get too discouraged on bad days or too high on good days. It’s golf. Whatever happens, happens.

Right now I’m thinking: “What’s the proper punctuation for that last sentence?” Should it be?:

Whatever happens; happens.

Or should it be?:

Whatever happens – happens.

Good lord. Are all those question marks in the right place? I’m stressed. I hate this.

I don’t have this same level of concern in golf. I replay shots in my head just because they’re fun to think about, not because I want to change them and certainly not because I want to guard against making the same mistake again. I don’t really feel like I’m battling a golf course, but I always feel like I’m battling words.

I’m self-conscious and insecure about the words here. I don’t publicize it because this is all just practice, man. It’s like when you first start playing golf and you aren’t comfortable playing golf with strangers; you don’t seek it out, but you have to do it. If someone joins up with you, so be it. So I’m doing it. Writing in kind of a public manner but not really telling anyone about it. People may occasionally stumble across this site and think I’m a dumbass. It’s stressful, but that’s okay. Hopefully I’ll get better.

I’m practicing for some time down the road when I really want to devote time to amateur journalism. A time when anyone who wants to have a voice can have a voice. We’re gonna get there. Heck, we’re almost there. I can’t imagine what this is going to be like in ten years, but I do know that I want to be ready with a basic set of writing and analytical skills so that I can churn out quality content in a timely manner.

So that’s that.

Enter Lynne Truss and her book about punctuation. It’s a whole book devoted to explaining the usage of commas, periods, apostrophes, etc … It’s bigger than that though. It’s also devoted to wry, English wit and the power of preserving something that seems part of a bygone era. It’s an impassioned piece of work. I like Truss.

Here’s what you get, from the colon and semicolon chapter:

But colons and semicolons – well, they are in a different league, my dear! They give such a lift! Assuming a sentence rises into the air with the initial capital letter and lands with a soft-ish bump at the full stop, the humble comma can keep the sentence aloft all right, like this, UP, for hours if necessary, UP, like this, UP, sort-of bouncing, and then falling down, and then UP it goes again, assuming you have enough additional things to say, although in the end you may run out of ideas and then you have to roll along the ground with no commas at all until some sort of surface resistance takes over and you run out of steam anyway and then eventually with the help of three dots … you stop. But the thermals that benignly waft our sentences to new altitudes – that allow us to coast on air, and loop-the-loop, suspending the laws of gravity – well, they are the colons, and semicolons. … (pg 106)

Nerdy, funny, inventive for sure. It’s a short book, but gives Truss enough time to dig into the history of punctuation while remaining highly applicable to what you’re writing today. She has plenty of everyday examples augmented by lists of rules that clarify and illuminate. I’m not quite sure how I’ll use it. Whenever I finish a good reference book I always tell myself I’ll come back to it and review the rules, maybe type them into little lists in Evernote that I can refer to, but I never do.

It will probably have to wait until that magical time, when I’m retired and have some expendable hours, at about 90 maybe, at which point I’ll be able to partake in some amateur journalism of a serious nature.

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Devil In A Blue Dress

I love American crime novels. I especially love American crime novels set in Southern California. It’s a whole sub-genre with giants like Raymond Chandler, Ross MacDonald, and Sue Grafton as examples. I recently added Walter Mosley and his character Easy Rawlins to my mix. I just finished the first of five (or so) and it’s stellar stuff.

Rawlins is different from Philip Marlowe, Lew Archer, and Kinsey Milhone because he didn’t start out in law enforcement. He’s just a man building airplanes at a Los Angeles manufacturing plant in 1948 who gets fired and takes an odd job for a gangster so he can pay his mortgage. One thing leads to another and he starts embracing this investigator stuff.

The back story is that he’s a WWII vet from Houston who came to LA to avoid a spot of trouble. It’s not that he committed a crime in Houston per se, but his crowd was getting a little rough so he came to LA to start fresh. It was looking like a great call too: decent job, small house, plenty of places to party. But then his boss pushes him a little too hard and he stands his ground and gets canned.

The plot twists and turns through a stack of LA bad guys and crooked politicians. Good action, intrigue, and character development. Oh, and the woman, in the blue dress – she’s a devil from a few different angles.

Rawlins is a great character: humorless, straightforward, and insightful. There are some deep explorations of race and class from Rawlins, like this:

Talking with Mr. Todd Carter was a strange experience. I mean, there I was, a Negro in a rich white man’s office, talking to him like we were best friends – even closer. I could tell that he didn’t have the fear or contempt that most white people showed when they dealt with me.

It was a strange experience but I had seen it before. Mr. Todd Carter was so rich that he didn’t even consider me in human terms. He could tell me anything. I could have been a prized dog that he knelt to and hugged when he felt low.

It was the worst kind of racism. The fact that he didn’t even recognize our difference showed that he didn’t care one damn about me. But I didn’t have the time to worry about it. I just watched him move his lips about lost love until, finally, I began to see him as some strange being. Like a baby who grows to man-size and terrorizes his poor parents with his strength and stupidity.

Man that was cool. See what I’m saying; humorless, straightforward, and insightful.

** PLOT KILLERS FOLLOW **

Rawlins also has a somewhat non-standard sense of private investigator morality that I found refreshing (finally, someone kept some dirty money!). I can’t wait to see where Mosley takes this guy. The problem is, I’m generating quite a backlog with all of this serialized stuff, so I may not get to Rawlins again until the end of the year. That’s a good problem to have though, I think.