Categories
books

T is for Trespass

A little different style of book for Grafton this time around, but it was great. Her standard beginning is to introduce a specific mystery and rehash Kinsey’s life story for people reading things out of order. Not so this time. Grafton actually starts the book with some third person narrative about one of the antagonists and returns to it frequently. All this, while Kinsey is working a few non-mystery type of projects.

There are three distinct story lines, but one dominates. I don’t recall Grafton juggling that many big stories. The main story includes one of the most sinister villains that I recall from any of Grafton’s books and she ups the ante with a graphic action scene near the end. The villain is a thieving, malicious home care nurse who lands the job of taking care of Kinsey’s 90 year old neighbor Gus (not Henry, who lives on the other side of Kinsey’s place). No other villain has had quite that proximity to Kinsey and this one really hits close to home.

Listen to me, I’m on a first name basis with these characters and I’m talking about them like I know them. It feels kind of weird, but I’m really engrossed in this series. They just keep getting better.

** PLOT KILLERS FOLLOW **

I’m not sure I’m all that enamored with how Grafton ended this one. After a very exciting double climax, there were still a lot of loose ends. Oh, she cleaned them up, but she did it on more of a retrospective basis, which at times seem kind of hurried and contrived. It could have ended with some loose ends for all I care.

But listen to me, I couldn’t put it down. Once she got rolling late in the book I just blasted through it. I’m not sure I’m going to be able to wait to read “U.”

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books

San Francisco Panorama

Here’s the deal; I have San Francisco envy in a big way. I’ve only spent a quick two days there during a trade show about 7 years ago, but it spiked my interest. The thing is, I don’t even know what I envy about it. I picture it as this cultural city with unlimited outdoorsy-type opportunities and a strong tech business base. But for all I know, I could be completely wrong.

So Gail and I are making a visit purely for the purpose of tourism. It’s only going to be for four days, but I’m fired up, and I’m arming myself with some local knowledge. Oh, I already have a bunch of local (say regional) knowledge. For example, I own an Apple computer, use Timbuk2 products to haul my stuff around, keep most of my cloud stuff with Google, and own Journey’s greatest hits. So yeah, I’m almost a native. But I need more, so I purchased the San Francisco Panorama and bought the San Francisco Moleskine. So how do you like me know? Let’s light this West Coast candle baby!

The Panorama is a single-issue newspaper published by the folks at San Francisco-based McSweeney’s. The Panorama is somewhat Bay Area-centric, but even a Chicagoan like me felt right at home with the topics. It’s more of a big, informative, artsy set of spiels in classic newspaper format on a wide range of topics, both mainstream and obscure. I posted some Panorama pix on Flickr so you can get a feel. Let me toss out some of my favorite items.

In the Food section, the 58 step pictorial of lambchetta from field to fork provided a lot of fun for Gail and I. We spread it out on a table at an outdoor bar during a long weekend (kind of like a vacation) and poured over it in fascination. I’m still not queasy about eating meat, by the way, despite the slaughterhouse shots.

In the Magazine, the story of a gay couple who went to the Michigan NASCAR event was pretty cool. It ended well and was pretty funny. Also in the Magazine; I loved the article on the Pakistani lawyer who saved a family from having their home foreclosed on by Wells Fargo. I laughed out loud while reading it in the airport, but it was actually more informative than humorous.

Speaking of funny, there was a fair amount of humor in the Panorama. The Comics section ranged from hilarious to bizarre. The one entitled The Christian Astronauts was my favorite. A few of them went over my head. I’ll have to grab McSweeney’s more often to see if any of those comics are regulars.

In Sports, there was a really cool article on Patrick Willis, who has somewhat of an under-publicized story akin to The Blind Side. This story is accompanied by a profile piece on the 49ers GM, Jed York. He’s an ND grad, by the way. The 49ers have had a rough time lately but they seem to be quite an institution. Maybe I’ll grab a 49ers hat when I’m out there. Also in sports, there was a scathing and very funny game-by-game commentary of the 2009 World Series written by Stephen King (Red Sox fan).

One section was devoted to the Bay Bridge debacle. You can see the article here (not sure if this is an official post). I’ll have to look into this public press and spot.us idea of story funding. Evidently the cost overruns make Millennium Park in Chicago look like pennies.

The last thing I read was the Books section. It prompted a few things. First, I have to give Book Forum another shot. It appears a little intellectual for me, but I need to verify that. Also, I purchased Generosity: An Enhancement by U of I grad and Evanston native Richard Powers. It looks like a good book and will go towards filling the literature hole in my reading this year. And finally, I loved the article “Reading Like A Teacher” by Lisa Morehouse and her discussions about visiting the places she reads about in books. Makes me want to read The Outsiders (she made a visit to Tulsa to explore scenes in the book). Great stuff.

This thing was really cool. I’ve only scratched the surface of the content. It took me a few months to read, and I still didn’t get to building the cutout rocket ship or finish any of the crosswords. I wish Eggers would do a Chicago version of this. He has some Chicago roots. I read A Heartbreaking Work of Staggering Genius. I think he grew up in Lake Forest and lived in Chicago before moving San Francisco.

It was a big reading experience, equivalent in time and attention to a book. I’ll save the Panorama for a few more months if anyone wants to read it.

Categories
books

The Girl Who Played With Fire

I used to like to space out books in a series, but I’m moving off that trend. The dragon tattoo girl series hooked me on the first one big time. I loved it. So I recently grabbed book two in paperback with a Borders gift card. It was also good and I had trouble putting it down throughout the first half. But in the end, it was not nearly as good as the first one. Not even close, actually.

It shouldn’t come as a surprise, I guess. Sophomore efforts rarely meet or exceed stellar first efforts. I was so fired up for book two that there was no way it could live up to my own, manufactured, hype machine. I wonder why I do that to myself. It was still great though.

I can’t really put my finger on the disappointment. Both of the main characters, Blomkvist and Salander, have lost a little of their vulnerability in my view. In this book they are much more in charge. But it’s a natural evolution I guess; they were underdogs in the first book and now they’re rich and famous (or infamous), so where else could it go.

That’s the evolution of the story.

** PLOT KILLERS FOLLOW **

This book picks up right after the last book and ends with a cliffhanger. It also includes an excerpt of the first chapter of book three, so I already know book three picks up just hours after book two. These three books are shaping up to be one epic story broken up into three manageable chunks.

There is a lot of stuff happening. The story is turning out to be so much more than just a mystery with a little international intrigue sprinkled in. There are a bunch of side stories, a huge back story, and detailed character studies. All of these aspects have loose ends and I’m betting not all of them will be tied up given that Larsson died before book one was even published.

The Blomkvist/Salander relationship is probably the biggest loose end. They spend almost no time in each others physical presence for the duration of book two, which is basically Salander’s doing. In fact, many of the loose ends center around Blomkvist and his success with the ladies. He’s bedding his editor and a member of his magazine’s board of directors, but you get the feeling that both relationships could end with very little emotion on Blomkvist’s end. But he’s clearly distraught about Salander’s lack of interest.

Salander is a one-of-a-kind character. She goes superspy in this book, but it makes sense once her back story is filled in.

I’ll be finishing the third in a few months I think. I don’t think I’ve ever read a trilogy in the expanse of a single year. This one seems worthy.

Categories
food

Franks ‘N’ Dawgs

Franks and Dawgs

Now that my bro is the hotdog king of Findlay, I feel the urge to eat more dogs. Like this one from Franks ‘n’ Dawgs on Clybourn. Click on it and see my notes on the Flickr picture for more info.

Categories
food

Coming Off Life Support

Welcome back to Tasty Chicago. I’ve now integrated this blog into my network and added some new technology, so I’m hoping it will be much easier to keep up. I’m planning on doing occasional updates as the urge hits me, but certainly not once a week like I did in 2007.

Categories
books

The Chicago Way

I wish I could remember the route I’ve taken to each book in my life. Something led me to find this book on my Kindle, but I can’t recall what. Harvey writes crime novels based in Chicago, so any number of reasons could have been involved. And for some reason it was only $1.59, which plants this squarely in the “no-brainer” category.

I enjoyed it. It was funny and full of detailed Chicago stuff. The mystery was solid also. It’s the story of an ex-cop, Michael Kelly, who’s now in business for himself. He’s in his office one day and a former partner walks in and asks him for some help on an old case that was never fully resolved. Then the former partner ends up dead shortly thereafter.

We have crooked cops and lawyers. We have two strong women, one of whom is a love interest and the other a close childhood friend. And we have a serial killer on death row in southern Illinois with some secrets. We also get a solid twist in the end that I didn’t see coming (probably my own fault).

Kelly is a Cubs fan and at times Harvey tries to make it a little too wry and gritty. But it’s endearing, here’s a scene:

I found my way over to the concession stand, stepped inside, and ordered a red-hot drug through the garden. The Packer fans stood nearby, eating a double of order of cheese fries. Each.

I liked it.

Categories
books

Linchpin

This was a suggested book when I purchased Rework. It asks the question, “Are you indispensable?” Valid question, I guess. Somewhat motivational. Could Seth Godin deliver on the premise that he can help you become indispensable to your employer/clients? Wow, that would unlock untold riches and career fulfillment.

Trust me, I’m not making fun. This is great stuff. I like reading Seth Godin because he has a ton of great things to say and he usually does it in very manageable sound bites. Godin ships stuff. A lot of it. Artists ship! That’s his point, and it’s highly motivational.

So what’s an artist? Godin says this:

Artists are people with a genius for finding a new answer, a new connection, or a new way of getting things done.

That would be you.

But you’re struggling, huh? Godin paints a picture of “stagnant wages, no job security, and lots of stress” for members of the working middle class. The best way to break this cycle is to change your attitude, change how you go to work. Starting shipping great stuff:

Stop settling for what’s good enough and start creating art that matters. Stop asking what’s in it for you and start giving gifts that change people. Then, and only then, will you have achieved your potential.

Godin uses a lot of terms above like ship and art and gifts that don’t appear to fit into a conversation that is supposed to clarify how the average working stiff does great work; but don’t worry, Godin explores each of these in great detail.

Let’s start with this line of thought. Do you remember that book the E-Myth (actually E-Myth Revisited, by Michael Gerber)? I own it. Godin sites a passage in the E-Myth Revisited where Gerber says:

The business model should be such that the employees needed possess the lowest possible level of skill necessary to fulfill the functions for which each is intended.

Godin takes issue with this, here is his take:

Here’s the problem, which you’ve already guessed. If you make your business possible to replicate, you’re not going to be the one to replicate it. Others will. If you build a business filled with rules and procedures that are designed to allow you to hire cheap people, you will have to produce a product without humanity or personalization or connection. Which means that you’ll have to lower your prices to compete. Which leads to a race to the bottom.

Now I don’t care if Godin misconstrued Gerber’s message or even if he’s taken it out of context. Either way, Godin’s passionate passage above is inspirational and sheds some light on the type of people that Godin terms linchpins. Linchpins are the artists, the connectors, the geniuses in any business that are integral to the success of that business. Linchpins rebel against procedures and rules that eliminate options for creativity. They rebel against stability and continuity to create work-product that they are proud of (to ship art). In short, Godin says, “There are no longer any great jobs where someone else tells you precisely what to do.

You gotta be indispensable.

You know what’s valuable? Godin tells us:

Depth of knowledge combined with good judgment is worth a lot. Depth of knowledge combined with diagnostic skills or nuanced insight is a worth a lot, too. Knowledge alone, though, I’d rather get faster and cheaper from an expert I find online.

That’s an important point. That gets you on the road to being indispensable. To being someone who gets product out the door, solves problems, and leads.

Godin relates that it was Steve Jobs who said, “Real artists ship.”

When Steve Jobs said that, he was calling the bluff of a recalcitrant engineer who couldn’t let go of some code. But this three-word mantra goes deeper than that. Poet Bruce Ario said, “Creativity is an instinct to produce.”

But producing is hard work. It doesn’t always feel good, and stable, and comfortable.

And so, the conflict. The conflict between what feels good now and what we ought to do. This explains how someone with throat cancer can persist in smoking, or how an obese person who clearly knows better can persist in eating “just one more doughnut.” In the face of greed or fear from the amygdala, an untrained person surrenders.

This sets off one of Godin’s greatest contributions, his idea that you can’t surrender, you can’t give in to the lizard brain that says resist change, you can’t give in to the resistance. This is how Godin does it in his life – his workflow:

By forcing myself to do absolutely no busywork tasks in between bouts with the work, I remove the best excuse the resistance has. I can’t avoid the work because I am not distracting myself with anything but the work. This is the hallmark of a productive artist. I don’t go to meetings. I don’t write memos. I don’t have a staff. I don’t commute. The goal is to strip away anything that looks productive but doesn’t involve shipping.

That, my friends, is a productive artist. Kind of reminds of something Jay-Z says in D.O.A. (Death of Auto-Tune)

I don’t be in the project hallway talking ’bout how I be in the project all day. That sounds stupid to me, if you a gangsta this is how you prove it to me.

Jay-z is an artist, a linchpin.

Godin goes into details also. Here is his formula for being so productive over the years:

  1. Write down a due date.
  2. Brainstorm like a madman.
  3. Organize the brainstorm.
  4. Build the description. It’s a blueprint (Jay-Z ref?).
  5. Get approval from the boss/investors.
  6. Start.
  7. Ship.

There you have it. The formula. Which is something like the project planning method in Getting Things Done.

  1. Define purpose and principles
  2. Envision outcome
  3. Brainstorm
  4. Organize
  5. Identify next actions

I think these guys are on the same page.

And finally, Godin’s drawing of the Quadrants of Discernment is frickin’ priceless. Picture two axes; horizontally it goes from passive to passionate and vertically it goes from attachment up to discernment. Try and figure out where you would put the Bureaucrat, the Whiner, the Fundamentalist Zealot, and the Linchpin. I suggest you read the book to hear it from the horse’s mouth.

Thank you Seth Godin for the knowledge combined with insight and judgment.

Categories
books

Dune

I needed some sci-fi. Just felt like it, I guess. I read this book about 15 years ago as one of my earliest forays into the genre, and I loved it. So I bought it again the other day with some Border’s bucks. The cover of the paperback reprint that I read refers to this book as “Science Fiction’s Supreme Masterpiece.” I gotta tell you, that’s an understatement.

I’m not very knowledgeable about sci-fi and the one or two books a year I read in this arena don’t give me much of insight into it. All I can do is tell you that I felt like I held a masterpiece in my hands as I was reading it. It was distinct.

I didn’t get that feeling with The Lord of the Rings or Foundation, both of which I consider in roughly the same genre. Dune just feels cooler, deeper, and more interesting. It’s tough to put my finger on it. It’s sci-fi without a bunch of really fast spaceships. It’s fantasy without a complicated mix of monster-like beings. It’s a different world with a history so detailed that you have to consult a glossary to understand some key points, yet this doesn’t impinge on it’s approachability.

The tale itself is not so groundbreaking. It’s about vengeance. The Atreides family finds itself stuck in some interplanetary politics, leading to their demise. The formula: father killed, mom and noble son left for dead on the planet that was their fiefdom (Arrakis), disenfranchised indigenous peoples team up with nobility to try and overthrow evil occupants.

So yeah, somewhat standard story, maybe even in 1965 when it was published. But that doesn’t detract from it’s coolness. Here why it’s cool:

There is an underlying theme of conservation. The story takes place on a desert planet where people wear special suits to capture bodily fluids for recycling so they don’t waste any moisture. The indigenous people, the Fremen, have a minimalistic approach to life:

The Fremen were supreme in that quality the ancients called “spannungsbogen” – which is, the self-imposed delay between desire for a thing and the act of reaching out to grasp that thing.
— From “The Wisdom of Muad’Dib” by the Princess Irulan

The idea permeates the book. Evil is big, fat, and excessive; good is thin, conservative, and wily. Not sure how far ahead of his time Herbert was in discussing this.

The reader gets a big payoff from a little bit of work. The preceding quote is indicative of how the reader gets a lot of history and background information – each chapter begins with a quote from a sacred text. Additionally, Herbert will use terms that are simply not defined within the standard text, assuming that the reader will consult the glossary if needed. But it’s easy and doesn’t ever seem laborious, adding to the genius of it all.

We learn about the force, before there was the force. I couldn’t help but wonder how much George Lucas was influenced by the Bene Gesserit, an “ancient school of mental and physical training established primarily for female students after the Butlerian Jihad destroyed the so-called “thinking machines” and robots.” Which also makes me wonder how much James Cameron was influenced by the Butlerian Jihad when he conceived the Terminator series.

The desert landscape makes for an original, off-world experience. You have space, the ocean, and forests that are often depicted in sci-fi and fantasy settings, but when has a desert been so re-imagined? I can’t think of any, but help me out. Add to that the idea of sandworms roaming underneath the desert sand…attracted to surface disturbances…that can be ridden by hooking onto their back. That’s just a sampling of the imagination that went into this. I was blown away at times.

Dune is part of what was originally conceived as a trilogy by Herbert, but I think it eventually expanded into six books with even more offshoots by others (I’ll read at least the original trilogy over the next few years). There was a movie and a mini-series made of it, but I haven’t see either (I may put them on the list). Oh yeah, did I mention that Iron Maiden paid homage to it on Piece of Mind with a track called To Tame a Land (great tune).

I don’t think it’s much of a stretch to proclaim that if you read only one sci-fi book in your life, make it Dune. But hey, that’s coming from someone who’s only reading about one or two per year in the genre, so take it with a grain of salt my friends.

Categories
books

Rework

These guys seem to have their act together. They run this Chicago company called 37 Signals which is headquartered in my neighborhood. I use a few of their products, albeit sparingly, and they are truly excellent. In fact, after reading this book, I’m going to dig a little deeper into Basecamp and Highrise because maybe I should throw them in the mix with my other productivity tools.

They grabbed me early on with this simple truth that actually drives a chunk of my consulting business:

Technology that cost thousands is now just a few bucks or even free. One person can do the job of two or three or, in some cases, an entire department. Stuff that was impossible just a few years ago is simple today.

This is both exciting and frightening for me. There are some awesome tools out there to do financial analysis and because I’m slightly ahead of the curve I’ve been able to capitalize on their value. However, if this simplification continues, I’m going to have to continue to innovate or be oversimplified!

But enough about me. Let’s talk about this book. It’s a massive stack of quick hits (3-5 page chapters) on how to thrive in today’s competitive environment. What makes these dudes an authority on the subject? Well, they are thriving in today’s competitive environment and this gives an indication of the value system that has allowed them to do so.

I’m interested in what they say also because I agree with just about everything they say. Like this:

Small is not just a stepping-stone. Small is a great destination in itself.

How appropriate. I’m trying to get smaller as we speak. I’m stripping things down to the core.

Sure, they take a lot of heat for this. They got harangued by many in the media when they took Mint to task for selling out to Intuit. But I love it because they practice what they preach. They seem to live in a nice little zone of anti-hypocrisy.

Here is their take on the concept of less.

Ever seen the weapons prisoners make out of soap or a spoon? They make due with what they’ve got. …

or:

… And we always keep features to a minimum. Boxing ourselves in this way prevents us from creating bloated products.

and finally:

… Be a curator. Stick to what’s truly essential. Pare things down until you’re left with only the most important stuff. Then do it again. You can always add stuff back later if you need to.

Lotta stuff. Lotta stuff that I can live by. Lotta stuff on the alone zone and no meetings and visual prioritization and teaching and wabi-sabi and spending other peoples money. And it all has examples, either from their own company or other professions and firms.

The only question is how do I keep reminding myself of this stuff. I read it on the Kindle so I have the Kindle App on all of my devices; should I just read through the bookmarks I added for this book occasionally? Should I create a calendar item to repeat this every other month or something? How about posting quotes on my bathroom wall?

I’ll think of something.

Categories
books

Life of Pi

This book has been sitting on my shelf for a long time folks. I grabbed it from my mom, oh, like 5 years ago or so. I remember a time when it seemed like everybody was reading this book. I would walk through airports and see people reading it all over the place. I grabbed it about 10 times in the last few years with the intent to read it, but it never took.

I finally started in earnest this month.

It’s been a rough reading month. I’m busy with work stuff, home stuff, and family stuff. I’m hoping to finish two books, but it will be tight. I started off this year at my 40 book pace but I’ve fallen off a little. I have some catching up to do huh?

** PLOT KILLERS FOLLOW **

I’ll tell you, it’s a cool book. I liked it but I never got sucked into it, so it was a slow read, but still cool. It’s a fantastical story about a boy who’s family owns a zoo in India. They decide to move the whole thing to Canada, but on the way the ship sinks and brings all of Pi’s family and most of the animals with it. Pi makes it to a lifeboat with an orangutan, zebra, hyena, and tiger. The tiger eats the animals but not Pi. The meat of the book is the story of how Pi survived the ordeal.

Then the ending throws a funny and thought-provoking curveball that is so chock full of symbolism that much of it was lost on me. After the fact, I’ve spent a fair amount of time sorting through the Amazon reviews of this book (there are like 2,000 of them) trying to uncover the things that I missed.

Here are the big questions that book could prompt some thought on:

  1. Did Pi just make up the story with the tiger?
  2. Is this book pro-religion or anti-religion, or does it matter?
  3. What does this book say about stories and human nature?

I wonder if I would have gotten more out of this had I gone into this endeavor more aware of the potential messages. Would I have enjoyed it more or less? I certainly would not want to have read any of the Amazon reviews because of the plot killers. But I think I would have liked to have known that there could be widely-varied interpretations. Maybe part of the problem is that I read so many books that are message-free (mysteries, thrillers, non-fiction) that I don’t go into them with an exploratory mind.

For instance, this is a thought-provoking passage (page 28 of the trade paperback):

I’ll be honest about it. It is not atheists who get stuck in my craw, but agnostics. Doubt is useful for a while. We must all pass through the garden of Gethsemane. If Christ played with doubt, so must we. If Christ spent an anguished night in prayer, if He burst out from the Cross, “My God, my God, why have you forsaken me?” then surely we are also permitted doubt. Bet we must move on. To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.

This is Pi talking, actually.  It may have appeared, at this point, that we were in for a pro-religion ride. Pi is, after all, a practicing Christian, Muslim, and Hindu and this clearly uses Christ as a role model for the value of doubt. But when the book is finished, no clarity on religion is obtained, and I think Martel is very satisfied with that. As am I. I’m not interested in the implications for religion, atheism, or agnosticism really.

The top two Amazon reviews give the book 5 stars and 3 stars (out of 5). I suggest reading them after reading the book because they promote further contemplation. This idea of stories being so important to how we make sense of the world is the main take-away for me. Tyler Cowen mentioned a similar point about the value of stories in his book Create Your Own Economy but I didn’t write about it in my take (upon reflection, I’m disappointed in myself for that). Cowen seemed to say that stories, regardless of whether they come from books, TV, movies, friends, or the web, are important for general enjoyment in life.

I like stories, a whole bunch.

Another thing I want to mention – an item about the book that made it strange for me – was the trip to the mysterious island of vegetation that Pi and the tiger visited near the end of the ordeal. It felt oddly like The Ruins, which actually kind of ruined (no pun intended) this part of the book for me. I’m certainly not accusing Martel of ripping off another book, especially since Life of Pi was written before The Ruins. But for me, having read The Ruins first, it made the idea of vegetation being killers feel like I’ve already been there, in a horror book nonetheless.

Thanks Mr. Martel for a good read.